Abstract
This paper considers the means by which the short film Munted (Ings 2011) was drawn into being. It discusses drawing and interior dwelling as enstasic methodological practices. In so doing, it suggests that such approaches to the design of filmic narratives might enable the designer to reach into ideation and outwards into the communicative appearance of the text.
DOI
https://doi.org/10.21606/nordes.2013.012
Citation
Ings, W.(2013) Enstasy: Immersive drawing as a design process, in Brandt, E., Ehn, P., Degn Johansson, T., Hellström Reimer, M., Markussen, T., Vallgårda, A. (eds.), Nordes 2013: Experiments in design research, 9 - 13 June, The Royal Danish Academy of Fine Arts, Copenhagen and Malmö University, Malmö, Denmark, Sweden. https://doi.org/10.21606/nordes.2013.012
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Enstasy: Immersive drawing as a design process
This paper considers the means by which the short film Munted (Ings 2011) was drawn into being. It discusses drawing and interior dwelling as enstasic methodological practices. In so doing, it suggests that such approaches to the design of filmic narratives might enable the designer to reach into ideation and outwards into the communicative appearance of the text.