Abstract
Seneca in his Moral Essays said, ‘No great genius has ever existed without some touch of madness’ (1928, p. 284). When working with highly gifted designers, it is not uncommon to encounter such a connection. However, as supervisors we can often find ourselves navigating unstable territories with little pedagogical guidance. This article discusses some implications of working creatively with Design students who manage mental health conditions in a postgraduate environment in a New Zealand University. In doing so, it considers it reflects upon the research journeys of two candidates and the construction of responsive, creativity supportive environments developed to support their research. The paper also proposes a number of strategies that may be employed to support the development of productive early research experiences of emerging designers, such that both their lives and the pedagogical approaches that support them, are developed in more responsible, meaningful, and open ways.
Keywords
creativity; learning design; mental health; postgraduate supervision
DOI
https://doi.org/10.21606/drs.2016.39
Citation
Ings, W. (2016) Designing the unknown: supervising design students who manage mental health issues, in Lloyd, P. and Bohemia, E. (eds.), Future Focused Thinking - DRS International Conference 2016, 27 - 30 June, Brighton, United Kingdom. https://doi.org/10.21606/drs.2016.39
Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Designing the unknown: supervising design students who manage mental health issues
Seneca in his Moral Essays said, ‘No great genius has ever existed without some touch of madness’ (1928, p. 284). When working with highly gifted designers, it is not uncommon to encounter such a connection. However, as supervisors we can often find ourselves navigating unstable territories with little pedagogical guidance. This article discusses some implications of working creatively with Design students who manage mental health conditions in a postgraduate environment in a New Zealand University. In doing so, it considers it reflects upon the research journeys of two candidates and the construction of responsive, creativity supportive environments developed to support their research. The paper also proposes a number of strategies that may be employed to support the development of productive early research experiences of emerging designers, such that both their lives and the pedagogical approaches that support them, are developed in more responsible, meaningful, and open ways.