Abstract
This paper presents on-going ethnographic fieldwork in design research conducted in an x-ray laboratory. The study investigates physicists’ hand sketching as a collaborative imaging practice and depicts collaborative drawing as a distinct form of knowledge in between the spaces of notation and verbal articulation. Physicists’ collaborative sketching is captured through methods taken from design research and STS, including participant observation, videography and drawings by the design researcher. In order to analyse the functions of the collaborative sketching, three key aspects of the research are discussed in this paper. First, the spaces and materiality of the laboratory are observed. Second, the hybrid practices combine old and new technologies and (non)-human agencies. And third, knowledge is transferred through sketches as “enabling objects” of communication. Finally, it is argued that the observed collaboration resembles a complex communication system that can be explained through a visual typology.
Keywords
collaboration, digital imaging practices, hand sketching, ethnography
DOI
https://doi.org/10.21606/drs.2016.233
Citation
Dobler, J. (2016) Collaborative Imaging. The communicative practice of hand sketching in experimental physics, in Lloyd, P. and Bohemia, E. (eds.), Future Focused Thinking - DRS International Conference 2016, 27 - 30 June, Brighton, United Kingdom. https://doi.org/10.21606/drs.2016.233
Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Collaborative Imaging. The communicative practice of hand sketching in experimental physics
This paper presents on-going ethnographic fieldwork in design research conducted in an x-ray laboratory. The study investigates physicists’ hand sketching as a collaborative imaging practice and depicts collaborative drawing as a distinct form of knowledge in between the spaces of notation and verbal articulation. Physicists’ collaborative sketching is captured through methods taken from design research and STS, including participant observation, videography and drawings by the design researcher. In order to analyse the functions of the collaborative sketching, three key aspects of the research are discussed in this paper. First, the spaces and materiality of the laboratory are observed. Second, the hybrid practices combine old and new technologies and (non)-human agencies. And third, knowledge is transferred through sketches as “enabling objects” of communication. Finally, it is argued that the observed collaboration resembles a complex communication system that can be explained through a visual typology.