Abstract
This paper presents two case studies in which the sound design processes of two professional sound designers, from radio and film, are examined. Through a study procedure that uses techniques such as interviews, observations and a novel set of design briefs, the sound designers' unique approaches and primary concerns are revealed. Results from these studies aim to inform and consolidate the link between professional sound designers´ practices in media production and the field of sonic interaction design.
Keywords
sound design, creative process, foley sounds, media production
DOI
https://doi.org/10.21606/drs.2022.772
Citation
Selfridge, R., and Pauletto, S. (2022) Investigating the sound design process: Two case studies from radio and film production, in Lockton, D., Lenzi, S., Hekkert, P., Oak, A., Sádaba, J., Lloyd, P. (eds.), DRS2022: Bilbao, 25 June - 3 July, Bilbao, Spain. https://doi.org/10.21606/drs.2022.772
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Conference Track
Research Paper
Included in
Investigating the sound design process: Two case studies from radio and film production
This paper presents two case studies in which the sound design processes of two professional sound designers, from radio and film, are examined. Through a study procedure that uses techniques such as interviews, observations and a novel set of design briefs, the sound designers' unique approaches and primary concerns are revealed. Results from these studies aim to inform and consolidate the link between professional sound designers´ practices in media production and the field of sonic interaction design.