Abstract
In today's world, AI technology is reshaping design practice. The modern design cognition is shifting from Cartesian disembodied rationality to phenomenological embodied intuition. This study draws on Nigel Cross's research on design thinking and the concept of “Shensi” from traditional Chinese aesthetics. It reveals the embodied essence of design cognition as a dynamic network of body, technology, and environment. This network reconfigures design problems, structures, and meanings. By comparing "Shensi" (embodied, intuitive, humanistic) with AI-mediated design (logical, data-driven, efficient), this study proposes a new design paradigm based on Eastern wisdom to broaden theoretical understanding of design cognition.
Keywords
Embodied Cognition, Design Thinking, Designerly Ways of Knowing, Shensi
DOI
https://doi.org/10.21606/drs.2026.1512
Citation
Zhi, Y., and Ren, H. (2026) The Embodied Turn in Design Cognition and the Implications from the “Shensi” Aesthetics, in Simeone, L., Gray, C. M., Verhoeven, A., de Götzen, A., Bakırlıoğlu, Y., Zohar, H., Stead, M., and Buwert, P. (eds.), DRS2026: Edinburgh, 8–12 June, Edinburgh, United Kingdom. https://doi.org/10.21606/drs.2026.1512
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The Embodied Turn in Design Cognition and the Implications from the “Shensi” Aesthetics
In today's world, AI technology is reshaping design practice. The modern design cognition is shifting from Cartesian disembodied rationality to phenomenological embodied intuition. This study draws on Nigel Cross's research on design thinking and the concept of “Shensi” from traditional Chinese aesthetics. It reveals the embodied essence of design cognition as a dynamic network of body, technology, and environment. This network reconfigures design problems, structures, and meanings. By comparing "Shensi" (embodied, intuitive, humanistic) with AI-mediated design (logical, data-driven, efficient), this study proposes a new design paradigm based on Eastern wisdom to broaden theoretical understanding of design cognition.