Abstract

Body sensors render human bodies as digital data, promising better self-knowledge. Yet, as people trust and learn to attune to these representations, system breakdowns expose tensions between embodied knowing and digital authority. Through Research through Design and Critical Design, this paper investigates how trust, control, and self-perception are negotiated in bodily interaction with data. Breathe Kritisk is a critical artefact that externalises breathing via an inflatable system linked to the user's solar plexus. Designed for estrangement, it resists attunement through a sensitive sensor and deceptive outputs — sometimes following the user’s breaths, other times acting on its own. We discuss insights from interviews and observations of interacting visitors at design festivals. Some visitors were convinced that they had complete control over the machine, while others questioned if they breathed properly. We interpret these reactions as a tendency to overtrust in the digital body representation, and discuss its implications.

Keywords

digital body representation, critical design, attunement, contest control

Creative Commons License

Creative Commons Attribution-NonCommercial 4.0 International License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License

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Jun 8th, 9:00 AM Jun 12th, 5:00 PM

Questioning one’s body: overtrusting in body-sensing technology

Body sensors render human bodies as digital data, promising better self-knowledge. Yet, as people trust and learn to attune to these representations, system breakdowns expose tensions between embodied knowing and digital authority. Through Research through Design and Critical Design, this paper investigates how trust, control, and self-perception are negotiated in bodily interaction with data. Breathe Kritisk is a critical artefact that externalises breathing via an inflatable system linked to the user's solar plexus. Designed for estrangement, it resists attunement through a sensitive sensor and deceptive outputs — sometimes following the user’s breaths, other times acting on its own. We discuss insights from interviews and observations of interacting visitors at design festivals. Some visitors were convinced that they had complete control over the machine, while others questioned if they breathed properly. We interpret these reactions as a tendency to overtrust in the digital body representation, and discuss its implications.

 

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