Abstract

Building an information legacy requires method: identifying, selecting, and cataloguing information that can anchor future research demands a thorough archiving process, with accurate information access and rigorous preservation practice. Yet academic archives today must also respond to a broader cultural condition shaped by digital transformation and interdisciplinary collaboration. This paper discusses the development of an academic design archive as part of the wider GLAM ecosystem, where preservation, innovation and digital transformation coexist. It proposes a design-led framework that approaches archiving as a cultural and participatory process. Through literature review and institutional reflection, the study highlights the archive’s dual role: collecting and curating pedagogical outputs while activating them for new purposes such as exhibitions, partnerships, and critical discourse. The archive thus becomes a living system, sustaining academic memory, fostering creative renewal, and positioning design education within the post-digital landscape as a platform for continuity, participation, and ethical reflection.

Keywords

academic archives, digital cultural heritage, GLAM ecosystem, co-design

Creative Commons License

Creative Commons Attribution-NonCommercial 4.0 International License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License

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Jun 8th, 9:00 AM Jun 12th, 5:00 PM

Co-Designing Academic Archives: Design-Led Frameworks for Post-Digital Cultural Heritage

Building an information legacy requires method: identifying, selecting, and cataloguing information that can anchor future research demands a thorough archiving process, with accurate information access and rigorous preservation practice. Yet academic archives today must also respond to a broader cultural condition shaped by digital transformation and interdisciplinary collaboration. This paper discusses the development of an academic design archive as part of the wider GLAM ecosystem, where preservation, innovation and digital transformation coexist. It proposes a design-led framework that approaches archiving as a cultural and participatory process. Through literature review and institutional reflection, the study highlights the archive’s dual role: collecting and curating pedagogical outputs while activating them for new purposes such as exhibitions, partnerships, and critical discourse. The archive thus becomes a living system, sustaining academic memory, fostering creative renewal, and positioning design education within the post-digital landscape as a platform for continuity, participation, and ethical reflection.

 

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