Abstract
This position paper builds on textiles as a metaphor to explore the experiential knowledge observed through embodied design processes. In order to build understanding, we have tailored our tools and methods to support our explorations so far. As literature shows articulating our sensory experiences with materials is a challenging task. In order to support our investigations, in this paper we present a reflection on our diverse approaches to introduce tools that support us in interrogating how designers relate with materials, particularly textiles, and use their sensorial body to experience them during the creative process. We build on our previous research that identified relevant embodied process to textile selection, and reflect on how we have explored how sensing technology can augment and empower each of these phases, to support the design process. We conclude by discussing the learning outcomes from introducing such tools, in order to reflect on the future of our research.
Keywords
Embodied processes; Experiential knowledge; Immersive; Augmented; Mediated
DOI
https://doi.org/10.21606/eksig2017.118
Citation
Petreca, B., Saito, C., Yu, X., Bianchi-Berthouze, N., Brown, A., Cox, J., Glancy, M.,and Baurley, S.(2017) Radically Relational: Using Textiles as a Platform to Develop Methods for Embodied Design Processes, in Elvin Karana, Elisa Giaccardi, Nithikul Nimkulrat, Kristina Niedderer, Serena Camere (eds.), Alive. Active. Adaptive. International Conference on Experiential Knowledge and Emerging Materials, 19-20 June 2017, Delft and Rotterdam, The Netherlands. https://doi.org/10.21606/eksig2017.118
Creative Commons License

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Radically Relational: Using Textiles as a Platform to Develop Methods for Embodied Design Processes
This position paper builds on textiles as a metaphor to explore the experiential knowledge observed through embodied design processes. In order to build understanding, we have tailored our tools and methods to support our explorations so far. As literature shows articulating our sensory experiences with materials is a challenging task. In order to support our investigations, in this paper we present a reflection on our diverse approaches to introduce tools that support us in interrogating how designers relate with materials, particularly textiles, and use their sensorial body to experience them during the creative process. We build on our previous research that identified relevant embodied process to textile selection, and reflect on how we have explored how sensing technology can augment and empower each of these phases, to support the design process. We conclude by discussing the learning outcomes from introducing such tools, in order to reflect on the future of our research.