Abstract
The use of geopolymers in creative practices, encompassing the fields of art, craft, and design, is still relatively unexplored. This paper introduces early explorations focused on geopolymer extrusion 3D printing in a creative studio context. The closer focus is on the context-bound connections of the maker, machine and material during creative practice. As an outcome of experimentation and creative problem-solving, this paper presents original and innovative extrusion printing methods that create a new fabrication aesthetic that acknowledges and emphasises the coiled aesthetic generated by this process. The three perspectives of maker, machine and material are discussed individually and together; opening the relations that influence the creative process within contemporary practices.
Keywords
Geopolymers; Explorative 3D printing; Creative practice; Studio ceramics
DOI
https://doi.org/10.21606/nordes.2025.5
Citation
Engels, L., Falin, P., Huaman, L., Kaarakainen, J., Mäkelä, M.,and Leveinen, J.(2025) The relationship between maker, machine and material: Creative investigation of geopolymer extrusion 3D printing, in Brandt, E., Markussen, T., Berglund, E., Julier, G., Linde, P. (eds.), Nordes 2025: Relational Design, 6-8 August, Oslo, Norway. https://doi.org/10.21606/nordes.2025.5
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The relationship between maker, machine and material: Creative investigation of geopolymer extrusion 3D printing
The use of geopolymers in creative practices, encompassing the fields of art, craft, and design, is still relatively unexplored. This paper introduces early explorations focused on geopolymer extrusion 3D printing in a creative studio context. The closer focus is on the context-bound connections of the maker, machine and material during creative practice. As an outcome of experimentation and creative problem-solving, this paper presents original and innovative extrusion printing methods that create a new fabrication aesthetic that acknowledges and emphasises the coiled aesthetic generated by this process. The three perspectives of maker, machine and material are discussed individually and together; opening the relations that influence the creative process within contemporary practices.