Abstract
Nishijin textiles possess a distinctive quality that is indigenous to Japan, exemplified by a diverse range of materials, weaving techniques, loom variations, and design methods. Recently the Japanese kimono industry has been facing a decline, primarily attributed to the growing influence of Western lifestyles in Japan (Cassim et al, 2017). Simultaneously, there is a global shift in textile design towards more intelligent and sustainable directions, driven by societal needs and technological advancements, including the utilisation of eco-friendly fibres and electronically enhanced textiles. The present abstract serves as an introduction to a collaborative research project in Japan & UK, focusing on material technologies and pattern creation. The study investigates both traditional kimono fabric production and the exploration of new materials, such as high-twist yarns, utilising contemporary techniques facilitated by Processing and Clo3D software. By employing forward-thinking production methods and exploring the intersection of digital and physical material-making processes, the research aims to develop body-fit materials and patterns. Specifically, the research poses the question of how to approach the design of complex and three-dimensional woven textiles by employing a diverse range of digital and physical tools, enabling the creation of intricate woven structures. Through the initial phase of this research, the study successfully achieved the creation of multidimensional and shape-changing cloth structures using zero-waste patterns as a construction method. The research primarily focuses on the transformative capabilities of materials and their role in supporting the design process for the (re)creation of sensory materials. By interpreting the traditional technique of weaving with multiple technologies, it is possible to create advanced materials.
Keywords
generative design; computational textiles; embodied interaction; material/body perception, Nishijin weaves
DOI
https://doi.org/10.21606/TI-2023/107
Citation
Roth, B.,and Ueda, K.(2023) Generative Nishijin Weaving with and for the body, in Tincuta Heinzel, Delia Dumitrescu, Oscar Tomico, Sara Robertson (eds.), Proceedings of Textile Intersections Conference 2023, 20 - 23 September, London, United Kingdom. https://doi.org/10.21606/TI-2023/107
Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Conference Track
Interactive and performative textiles
Topics
textiles, textiles design, interdiscipoinary textiles, interactive and performative textiles
Included in
Generative Nishijin Weaving with and for the body
Nishijin textiles possess a distinctive quality that is indigenous to Japan, exemplified by a diverse range of materials, weaving techniques, loom variations, and design methods. Recently the Japanese kimono industry has been facing a decline, primarily attributed to the growing influence of Western lifestyles in Japan (Cassim et al, 2017). Simultaneously, there is a global shift in textile design towards more intelligent and sustainable directions, driven by societal needs and technological advancements, including the utilisation of eco-friendly fibres and electronically enhanced textiles. The present abstract serves as an introduction to a collaborative research project in Japan & UK, focusing on material technologies and pattern creation. The study investigates both traditional kimono fabric production and the exploration of new materials, such as high-twist yarns, utilising contemporary techniques facilitated by Processing and Clo3D software. By employing forward-thinking production methods and exploring the intersection of digital and physical material-making processes, the research aims to develop body-fit materials and patterns. Specifically, the research poses the question of how to approach the design of complex and three-dimensional woven textiles by employing a diverse range of digital and physical tools, enabling the creation of intricate woven structures. Through the initial phase of this research, the study successfully achieved the creation of multidimensional and shape-changing cloth structures using zero-waste patterns as a construction method. The research primarily focuses on the transformative capabilities of materials and their role in supporting the design process for the (re)creation of sensory materials. By interpreting the traditional technique of weaving with multiple technologies, it is possible to create advanced materials.