Abstract
In a context of over-standardized color production and stability-based evaluations of dyes, this article proposes a way to embrace and implement natural dyes’ temporal variabilities in evolutive textiles design and discusses how taking these into account modifies textile design practices. As a designer and a material scientist working with a dyer craftswoman, we present an adaptation of color characterisation methods and a chromo-chronological database, and how these tools result in a proof of concept of a tufted piece with pattern apparition, paving the way for a color-driven textile design.
Keywords
Evolutive design method; Wear integration into design process; Natural dyes; Fading as surface evolution
DOI
10.21606/TI-2026.112
Citation
Ramage, L.,and Fuzier, C.(2026) Evolutive textiles design with the variability of natural dyes: a color-driven approach of textile design, in Jane Scott, Sophie Skach, and Rebecca Stewart (eds.), Textile Intersections 2026, 17-18 September 2026, London, United Kingdom. https://doi.org/10.21606/TI-2026.112
Conference Track
researchpapers
Included in
Evolutive textiles design with the variability of natural dyes: a color-driven approach of textile design
In a context of over-standardized color production and stability-based evaluations of dyes, this article proposes a way to embrace and implement natural dyes’ temporal variabilities in evolutive textiles design and discusses how taking these into account modifies textile design practices. As a designer and a material scientist working with a dyer craftswoman, we present an adaptation of color characterisation methods and a chromo-chronological database, and how these tools result in a proof of concept of a tufted piece with pattern apparition, paving the way for a color-driven textile design.