How do you sound design? Articulating experiences and cultures via listening

Authors

Stefano Delle Monache, Delft University of Technology, Faculty of Industrial Design EngineeringFollow
Nicolas Misdariis, IRCAM STMS Lab, Sound Perception and Design Group, ParisFollow
Elif Özcan, Delft University of Technology, Faculty of Industrial Design EngineeringFollow
Daniel Hug, Zurich University of the Arts, Institute for Computer Music and Sound TechnologyFollow
Sara Lenzi, Delft University of Technology, Faculty of Industrial Design Engineering; Ikerbasque Basque Foundation for Science; Universidad de Deusto, Faculty of Engineering, BilbaoFollow
Sandra Pauletto, KTH Royal Institute of Technology, Division of Media Technology and Interaction DesignFollow
Davide Rocchesso, University of Milano, Department of Computer ScienceFollow
Simone Spagnol, Iuav University of Venice, Department of Architecture and ArtsFollow

Abstract

The SIG on Sound-Driven Design invites researchers and practitioners to delve into the multifaceted nature of sound, unraveling its physical, perceptual, emotional, and socio-technological dimensions, and contribute to the discovery and development of design methods and tools. In the sound-driven perspective, listening emerges as element that adds depth and richness to the design space, adding to the role of the senses in the experience of the form quality of products, services, and systems. We propose to reflect on the holistic and inclusive character of “sound-driven” as it combines the diverse sonic, experiential, technical, and cultural manifestations of sound with the creative, integrative, mitigative, and purposeful essence of designing. We welcome contributions that offer insights and actionable knowledge on the process of sound-driven design by: Exploring the sonic and creative aspects, with a focus on the sensory, emotional and aesthetic qualities of the audible embodiment to create unique and innovative sonic identity for projects Examining the experiential and integrative aspects, with a focus on how sound enhance and reinforce other sensory cues, such as vision and touch, and ultimately interacts with other design elements to create cohesive and coherent experiences Tackling the technical and mitigative aspects, with a focus on the sources and systems that produce unwanted or harmful sound, in order to create more comfortable and healthy environments Framing the cultural and purposeful aspects, with a focus on crafting culturally relevant and meaningful sound for specific audience or community, conveying values and practices, bridging communities, and fostering connections among stakeholders

Keywords

sound-driven design, listening, embodied design, design process

DOI

https://doi.org/10.21606/drs.2024.168

Citation

Delle Monache, S., Misdariis, N., Özcan, E., Hug, D., Lenzi, S., Pauletto, S., Rocchesso, D., and Spagnol, S. (2024) How do you sound design? Articulating experiences and cultures via listening, in Gray, C., Ciliotta Chehade, E., Hekkert, P., Forlano, L., Ciuccarelli, P., Lloyd, P. (eds.), DRS2024: Boston, 23–28 June, Boston, USA. https://doi.org/10.21606/drs.2024.168

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License

Conference Track

Research Paper