Abstract
Information technology has permeated virtually all of today’s human activities. Digital technology supplies the tools for countless creative practices, however the culture of studio crafts has yet to fully engage itself with these new possibilities. In order for the crafts maker to remain a current and relevant part of contemporary culture it is vital to embrace and utilize these new tools. This research centres on how digitally based techniques can be realistically utilized within a ‘designer-maker’ practice. The article is based on practical research and features a series of projects which deal with Rapid Prototyping, CNC cutting, and three-dimensional freehand drawing. To conclude the article discuses how digitally based techniques combined with traditional craft skills has the potential of forming the concept of the post- industrial artisan.
DOI
https://doi.org/10.21606/nordes.2005.024
Citation
Jorgensen, T.(2005) Binary Tools, in Binder, T., Redström, J. (eds.), Nordes 2005: In the making, 29-31 May, Royal Danish Academy of Fine Arts, Copenhagen, Denmark. https://doi.org/10.21606/nordes.2005.024
Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License
Binary Tools
Information technology has permeated virtually all of today’s human activities. Digital technology supplies the tools for countless creative practices, however the culture of studio crafts has yet to fully engage itself with these new possibilities. In order for the crafts maker to remain a current and relevant part of contemporary culture it is vital to embrace and utilize these new tools. This research centres on how digitally based techniques can be realistically utilized within a ‘designer-maker’ practice. The article is based on practical research and features a series of projects which deal with Rapid Prototyping, CNC cutting, and three-dimensional freehand drawing. To conclude the article discuses how digitally based techniques combined with traditional craft skills has the potential of forming the concept of the post- industrial artisan.