Abstract

We have to be conscious about our own situatedness in the ecologies for and with which we design, but also invite for critical reviewing it. In order to do so, to become conscious and to critically review, I believe something needs to trigger and intervene. This paper is a personal account of sense-making and tool shaping, to support critical reflecting on my own positionality. I introduce my two tools: Graphical Peeling and Sensing/Zining, which rely both on ‘layouting’ to provide space for reflection. I am not a graphical designer, rather this way of working seems to help unbalance my very personal understandings, assumptions and experiences and provides a space where I can go in dialogue with myself and my experiences. By bringing together experiences, designs made and notes from research and reading, I am working through the material in different ways. I go deeper into the context with each layer I am adding, rethinking the situations that occurred and providing an opportunity to stop, think and be critical. Through this paper I do not necessarily aim for others to use those tools specifically, but rather emphasise the importance to allow for personal, creative, designerly journeys of sense-making, and decolonisation.

Keywords

Reflective spaces; making; positioning; decolonisation

Creative Commons License

Creative Commons Attribution-NonCommercial 4.0 International License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License

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Jul 22nd, 9:00 AM

Making Sense/zines: Reflecting on positionality

We have to be conscious about our own situatedness in the ecologies for and with which we design, but also invite for critical reviewing it. In order to do so, to become conscious and to critically review, I believe something needs to trigger and intervene. This paper is a personal account of sense-making and tool shaping, to support critical reflecting on my own positionality. I introduce my two tools: Graphical Peeling and Sensing/Zining, which rely both on ‘layouting’ to provide space for reflection. I am not a graphical designer, rather this way of working seems to help unbalance my very personal understandings, assumptions and experiences and provides a space where I can go in dialogue with myself and my experiences. By bringing together experiences, designs made and notes from research and reading, I am working through the material in different ways. I go deeper into the context with each layer I am adding, rethinking the situations that occurred and providing an opportunity to stop, think and be critical. Through this paper I do not necessarily aim for others to use those tools specifically, but rather emphasise the importance to allow for personal, creative, designerly journeys of sense-making, and decolonisation.

 

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