Abstract
This paper explores the concept of Shanzhai ('fake' in Chinese), a Chinese practice often associated with imitation and design plagiarism, this study uses Shan-zhai to critique dominant forms of innovation, framed by a discussion of pluriversal design. Through a comprehensive literature review and empirical research, this study explores Shanzhai's evolution from a response to globalisation and de-sign colonisation to a reflection of identity. Shanzhai's unique approach challenges dominant design narratives, but in its own way emphasises inclusiveness and innovation. The study concludes that Shanzhai transcends its initial role as a design and manufacturing practice, evolving into a cultural phenomenon symbolising Chinese identity and resistance to Western dominance in design and innovation. Through its journey, Shanzhai raises essential questions about ethics, identity, and the dynamics of design paradigms. This research contributes to the discourse on pluriversal design by showcasing Shanzhai's capacity to challenge pre-conceived notions and foster inclusivity.
Keywords
shanzhai; pluriversal design; design colonialism; identity
DOI
https://doi.org/10.21606/drs.2024.184
Citation
Mu, D. (2024) Shanzhai as a Pluriversal Praxis: Challenging Western Design and Innovation Paradigm, in Gray, C., Ciliotta Chehade, E., Hekkert, P., Forlano, L., Ciuccarelli, P., Lloyd, P. (eds.), DRS2024: Boston, 23–28 June, Boston, USA. https://doi.org/10.21606/drs.2024.184
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Conference Track
Research Paper
Included in
Shanzhai as a Pluriversal Praxis: Challenging Western Design and Innovation Paradigm
This paper explores the concept of Shanzhai ('fake' in Chinese), a Chinese practice often associated with imitation and design plagiarism, this study uses Shan-zhai to critique dominant forms of innovation, framed by a discussion of pluriversal design. Through a comprehensive literature review and empirical research, this study explores Shanzhai's evolution from a response to globalisation and de-sign colonisation to a reflection of identity. Shanzhai's unique approach challenges dominant design narratives, but in its own way emphasises inclusiveness and innovation. The study concludes that Shanzhai transcends its initial role as a design and manufacturing practice, evolving into a cultural phenomenon symbolising Chinese identity and resistance to Western dominance in design and innovation. Through its journey, Shanzhai raises essential questions about ethics, identity, and the dynamics of design paradigms. This research contributes to the discourse on pluriversal design by showcasing Shanzhai's capacity to challenge pre-conceived notions and foster inclusivity.